It doesn’t really matter which tool you use. Others might use a digital tool, like Trello, Google Docs, Notion, etc. There are lots of different ways to do this. The next step is breaking the story down into all the small pieces and inciting incidents that make up the plot – which some people call a 'beat sheet'. Write your plotīy this point, you should have a pretty clear idea of what your story’s about. Whoever your characters are, the most important thing is that your audience wants to get to know them, and can empathise with them.
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You might find it helpful to complete a character profile worksheet when you’re starting to flesh out your characters (you can find these for free online). What’s the central question of your story? What’s it all about? Character development means taking your characters on a transformational journey so that they can answer this question. You’ll probably see some parts that work, and some parts that need a little tweaking before you start writing the finer details of each scene. This stage of the writing process is a chance to look at your entire story and get a feel for how it reads when it’s written down. Anyone who reads it (hopefully a hotshot producer) should learn enough that they start to feel a connection with your characters, and want to see what happens to them. It should also introduce your characters and the general vibe of the story. Your synopsis should give a good picture of your story, including the important ‘beats’ (events) and plot twists.
Most importantly, your treatment needs to include your name and contact details. A treatment is a useful thing to show to producers – they might read it to decide whether they want to invest time in reading your entire script. It’s a slightly beefier summary that includes your script’s title, the logline, a list of your main characters, and a mini synopsis. Once your logline’s in the bag, it’s time to write your treatment.
If you nail that, you'll be well on your way to taking your feature film to Hollywood. Importantly, you need to show the audience what’s happening, not tell them. Your job is to translate pictures and sounds into words.
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But it’ll generally start with the hard work and brainpower of one person – in this case, you.īecause films and TV shows are audiovisual mediums, budding scriptwriters need to include all the audio (heard) and visual (seen) parts of a story. It’s usually a team effort, going through oodles of revisions and rewrites, not to mention being nipped ‘n’ tucked by producers, directors, and actors. Or it can be based on a true story, or something that someone else wrote – like a novel, theatre production, or newspaper article.Ī movie script details all the parts – audio, visual, behaviour, dialogue – that you need to tell a visual story, in a movie or on TV. Well, it can be an original story, straight from your brain. If this is your first time creating movie magic, you might be wondering what a script actually is.